Warkop dki chips series#

The film's signature phrase is 'Jangkrik Boss', which Kasino uses as an excuse when he catches Panji Anom making out with a woman in the middle of the forest. As usual, funny events start to scatter from the beginning of the film, such as Kasino chasing a reckless trail biker, Indro overcoming a child's misbehavior, played by Memet Mini, until Dono, who was forced to get soaked, splashed into the river with Sherly and his patrol car. Besides the Warkop DKI trio, this film also stars the late Panji Anom, as Chips' boss, and Sherly Malinton as Dono's lover. This time the Dono-Kasino-Indro trio worked as private (private) community service officers, specifically in the field of security and order.

Warkop dki chips series#

This classic Warkop -style comedy is inspired by the success of the TV series with a similar title that was very popular in the early to mid 80's, namely California Highway Patrols ( CHiPs ), starring Erik Estrada as Ponchorello. Furthermore, it discusses the application of the theoretical Figure and Ground characteristics and suggests some clarification to them.CHiPs (abbreviation of Cara Hebat Ikut Penanggulangan Masalah Sosial) was an 1982 Indonesian comedy film who created by Warkop DKI. On the basis of theory-led sample analyses on a contemporary film and its different-language audio descriptions, this study presents evidence that the verbal representation can parallel the visual segregation of Figure and Ground. This paper addresses the Figure and Ground theory both in visual representation and in its linguistic translation.

This segregation is reflected in language by coding certain elements as figures in reference to a more (static) ground. developed for both visual perception and language to explain how we perceive 'thing-like' figures and 'substance- like' grounds in space. The theory of Figure and Ground segregation has been. By its very essence, audio description requires analysing the relation of language to non-linguistic, visual representation. Read moreĪudio description can be defined as intermodal translation in which the visual representation (for example, of a film) is verbalised and spoken in order to facilitate and enhance reception by visually impaired audiences. The package can also be used by the researchers, non-governmental organizations which are working in rural areas and by other educated groups. So, it was concluded from the study that message was well treated and can be used for dissemination of information regarding the latest agricultural technology among the farmers or other beneficiaries. Video film was assessed as highly effective by the 85% of the respondents. As far as charts were concerned, these were appreciated by 74.25% of the respondents as highly effective. Booklets were perceived to be highly effective by 83.70% of the respondents on all the parameters of measurements of levels of effectiveness.

The results revealed that pamphlets were adjudged to be highly effective by 85.78% of the respondents on all the parameters. Charts were evaluated on visual assessment and compatibility, whereas video film was evaluated for audio assessment, visual assessment and compatibility. The parameters used for assessment of pamphlets and booklets were title and body text. Levels of effectiveness were assessed as low, medium and high. The results revealed that all the communication tools (pamphlets, booklets, charts and video film) were evaluated to be most appropriate in all the sub sections of each communication tool. and not appropriate scores as 3, 2 and 1, respectively.

The present study involves the collection of various communication tools which are developed by the Department of Agriculture to disseminate the agricultural technology among the farmers and to make analysis of these tools whether these are effectively treated or not.These were evaluated with the help of well structured evaluation performa on the basis of most appropriate, somewhat appropriate.